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Less (Winner of the Pulitzer Prize): A Novel Kindle Edition
Andrew Sean Greer
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Length: 273 pages | Word Wise: Enabled | Enhanced Typesetting: Enabled |
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Editorial Reviews
Review
Less is perhaps Greer's finest yet.... A comic yet moving picture of an American abroad.... Less is a wondrous achievement, deserving an even larger audience than Greer's bestselling The Confessions of Max Tivoli.-- "Booklist, starred review"
I adore this book. It's funny, piquant, bittersweet and so achingly observant about the vanity of writers that it made me squirm in recognition. I'll probably read it again very soon.-- "Armistead Maupin, author of Tales of the City"
Marvelously, unexpectedly, endearingly funny. A love story focused on the erroneous belief that the second half of life will pale in comparison to the first. Guess what? It won't!-- "Gary Shteyngart, author of Super Sad Love Story"
A fast and rocketing read with everything I want from a story--moments of high humor, moments of genuine wisdom, sharp insights and gorgeous images. A wonderful, wonderful book!-- "Karen Joy Fowler, author of We Are All Completely Beside Ourselves"
The most deftly funny romantic comedy I've read in years. If you have a sentimental bone in your body (I have 206), the ending will make you sob little tears of joy.-- "Nell Zink, author of Mislaid and Nicotine"
Greer's evocations of the places Arthur visits offer zesty travelogue pleasures-- "Seattle Times"
Dressed in his trademark blue suit, Less adorably butchers the German language, nearly falls in love in Paris, celebrates his birthday in the desert and, somewhere along the way, discovers something new and fragile about the passing of time, about the coming and going of love, and what it means to be the fool of your own narrative. It's nothing less than wonderful.-- "Book Page"
Greer's novel is philosophical, poignant, funny and wise, filled with unexpected turns....Although Greer is gifted and subtle in comic moments, he's just as adept at ruminating on the deeper stuff. His protagonist grapples with aging, loneliness, creativity, grief, self-pity and more.-- "San Francisco Chronicle"
Greer is an exceptionally lovely writer, capable of mingling humor with sharp poignancy.... Brilliantly funny.... Greer's narration, so elegantly laced with wit, cradles the story of a man who loses everything: his lover, his suitcase, his beard, his dignity.-- "Ron Charles, Washington Post" --This text refers to an alternate kindle_edition edition.
About the Author
Andrew Sean Greer is the author of several works of fiction, including The Confessions of Max Tivoli, which was named a best book of 2004 by the San Francisco Chronicle and the Chicago Tribune. He is the recipient of the Northern California Book Award, the California Book Award, the New York Public Library Young Lions Award, the O Henry Award for short fiction, and fellowships from the National Endowment for the Arts and the New York Public Library.
Robert Petkoff is an actor and audiobook narrator who has won a prestigious Audie Award and multiple AudioFile Earphones Awards. He has appeared on Chappelle's Show, Law & Order, and Quantum Leap. His Broadway credits include Sir Robin in Spamalot, Perchik in Fiddler on the Roof, and Tateh in Ragtime.
--This text refers to an alternate kindle_edition edition.Product details
- Publication Date : July 18, 2017
- Print Length : 273 pages
- Word Wise : Enabled
- File Size : 4529 KB
- Publisher : Lee Boudreaux Books; 1st Edition (July 18, 2017)
- Language: : English
- ASIN : B01MSICPW3
- Text-to-Speech : Enabled
- Lending : Not Enabled
- Enhanced Typesetting : Enabled
- Screen Reader : Supported
- X-Ray : Enabled
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Best-sellers rank #9,965 in Kindle Store (See Top 100 in Kindle Store)
#7 in LGBT Humorous Fiction (Books)
#15 in Literary Satire Fiction
#18 in LGBT Literary Fiction (Kindle Store)
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What’s the issue? Nothing....happened! During all his trevails all over the world, I kept expecting actual life-changing events and learnings. All that happened was continual pity parties for Less and the ongoing obsession with his ex.
I will no longer accept that I need to read a book, or that it is actually GOOD, based on what the Pulitzer Board thinks. They’ve lost major credibility to me. I could not wait for this book to be over. I gave up in the second to last chapter and literally threw the book in the trash.
Andrew Greer is a gifted writer and a skilled storyteller. I started reading this book with a good deal of cynical lip-curling over the precious fumbling of its title character, Arthur Less. My radar was attuned to every little bit of self-conscious “literariness,” that affectation of language through which an author separates him or herself from the herd of other writers. By the last page of the book, however, I was in tears. Somehow, Andrew Sean Greer’s feckless, nearly-fifty, aging-twink author protagonist began, against the odds, to resonate with me.
I am fifteen years older than Andrew Greer, and a decade older than the fictional Arthur Less. Why does this matter? Because age is not just a number: age is your place in history, your worldview, your experience. As a sixty-something gay man, with a husband of forty-two years, the experience of my life gives me a point of view, for good or for ill. I have opinions, especially about other gay men, and particularly about gay men in the public spotlight.
And there, you see, is part of the point. “Less” is a gay book by a gay author that won the Pulitzer Prize for fiction in 2018. This, in the same year that a gay journalist, Ronan Farrow (age 30), won a Pulitzer for his work. This is news. This matters, especially to a gay man of my generation for whom this all feels a bit miraculous, especially given the bizarro-world of our national political scene at the moment.
Arthur Less is a writer, a novelist. He is approaching his fiftieth birthday, and has behind him two decade-long romances that both ended badly. Did they end badly because Less was an idiot? Possibly. When faced with the impending marriage of his second ex-boyfriend, Less does the only thing he can imagine to save himself: he flees. Accepting a half-dozen heretofore ignored invitations from various global destinations, he sets off, still fumbling and irritating, on a trip around the world that will help him avoid the wedding and his fiftieth birthday.
Along the way we get most of Arthur’s life. We meet the “young Arthur Less,” pretty and feckless, talent untapped, as he bumbles into his first relationship. We follow him into early middle age, when one relationship is exchanged for another. At first, it’s not clear how important these two relationships are; but with time, it becomes clear that not only were they important, they were everything.
It’s a little bit as if Arthur has been going through life not quite paying attention. He is often startled, often confused, often hurt. He is not hugely promiscuous, but he is not not promiscuous either. Arthur doesn’t seem to consider the potential significance of fidelity or monogamy. On the other hand, he’s not thinking about heteronormativity either. He doesn’t seem to give much thought to his romantic life, but just sort of takes it as it comes. It’s as if he can’t quite focus—on his writing career, on his emotional life, on the world around him.
At one point, in yet another vaguely surreal moment on his world tour, Arthur is accused of being a “bad gay” by another gay author. He is told by that author (who is presented as supercilious and pretentious), that “It is our duty to show something beautiful from our world. The gay world. But in your books, you make the characters suffer without reward.”
That moment struck me, because this very book, the book that won Greer his Pulitzer, is the first book by this gay author that includes the experience of a gay man; that includes any gay character, as far as I can tell. Greer is an author who, while his being gay is not a secret, never makes being gay a part of his public persona—at least in what I found. He is out, he has a husband, but I had to dig to find it. His other books, which include at least two best sellers, are devoid of any gay content. This book has, for the first time, made him a gay author. And even here, one of the reasons for this book’s success is that it is “A gay guy novel that even a non-gay guy can appreciate.” (Tony’s Book World)
For a gay man of my generation and from my vantage point, this rankles. As a voracious reader, who gathered a big library of contemporary gay literature in the 1970s and 80s, I am leery of gay men who, in this day and age, don’t put gay content in their books. I know this is grossly unfair, because the prejudice in the publishing world (as in Hollywood and in virtually all the arts) is still very much present, no matter what anyone tells you. The world is better than when I was born, but it is not entirely good, not by a long shot, in the way it approaches gay content and treats gay artists.
So, Greer’s first gay book, a book which surely has resonance with the artist’s own life (made doubly so by Arthur Less’s revision of his own latest unwanted novel in the course of this novel) wins him the brass ring, the Oscar of novelists. Is this ironic? Is this a message?
“Boredom is the only real tragedy for a writer; everything else is material.”
In the end, this book got five stars from me because it honored both the author’s experience as a gay man, and my experience as a survivor of gay life in a straight world. I expect no less from gay authors. None of the gay authors I read routinely will ever win a Pulitzer prize, and I’m fine with that. I’m glad that I ended up loving “Less,” because it is an important moment in the history of gay fiction. I hope the author cares about this as much as I do.
Top international reviews
Boring, boring, boring, uninspiring, repetitive, boring, thank God quite short.
Oh yes it is about love - but written in such an uninspiring language!
I have never heard of Andrew Sean Greer and I hope to never hear of him again.
Less is coming up to his 50th birthday when his younger partner of many years walks out on him and goes off to marry a new partner closer in age; Less is invited to the wedding and, fearing that he will look pitiful and pathetic if he turns up at it or pitiful and resentful if he does not turn up at it, decides to avoid the situation by going abroad, on a series of adventures (and misadventures).
Less is gay and the whole tale is set in a homosexual context, however I think this is incidental and that the story and issues it deals with would work just as well in a heterosexual context; it works perfectly for me and I am a lifelong, committed heterosexual.
I wonder if sales of the book to straight readers are hindered by Amazon's classification system, with it being identified as "Gay & Lesbian", "Gay" and "Gay Romance" but maybe this does not matter, as I recently noticed that "The Darling Buds Of May" from H E Bates is identified in "Home & Garden" as "Cottage Gardens", "Gardens In Britain" and "Trees & Shrubs".
A really great read.
The humour comes not from slapstick situations, but almost entirely from the beautiful writing - the irony, the restraint, the eye for absurd detail. It's not a world I know at all, but it is consistently believable and yet very strange.
If you need your reading matter to be plot driven with great dialogue, this may not be the one for you. But there is enough plot to drive the story forward, and to make you want to join Less on his journey, and I found it easy to warm to him as a character. There are touching insights, moments of wry comedy, some keen life observations, and all presented in a style of prose that at times borders on poetic. Most of the time I just wanted to give Less a hug, as he blunders through life not realising his own worth, which I suspect will resonate with many. Honestly, give it a go, it's a fairly light read (particularly for a prize winner) and the depictions of his travels are colourful and entertaining, his thoughts on life and his relationships are touching and pertinent, I suspect, to many. I couldn't put this down, and I suspect it's a book I will re-read from time to time. I look forward to reading more by this author.
Less is a novelist of some renown, which is to say one of his books was highly regarded -- though his others were far less so -- and he long lived in the shadow of one of America’s great men of letters with whom he had a long-term relationship. The comedic tone of the book is set by the hapless nature we see in the character. He finds himself a secondary figure in the high-brow world of American literature, but is never completely at ease and confident in that space. Of course, when he sets out traveling in Mexico, Europe, Morocco, India, and Japan, he finds himself even less at ease than usual.
There are various mishaps along the way that make this book comedic in nature, but it also has a nostalgic melancholy about it. Not only did Less’s relationship break up followed rapidly by his ex-boyfriend becoming engaged, but one thing will happen during his travels that he can’t escape – he will turn 50. This milestone causes him to reflect upon what he might have done differently, but also causes him concern that he hasn’t enough life left to make a good go of living – either as a writer or as someone who would like to be in a relationship again.
I won’t get into the ending in detail, but will say that I was pleased to see that it didn’t just peter out into Less’s return home, but rather leaves the reader with some food for thought via the turn of events one learns about.
Needless to say, I’d recommend this book for fiction readers – particularly literary fiction readers, though it is light, readable, and short for literary fiction. This book won the 2018 Pulitzer Prize for Fiction.
This is an uplifting read too. Arthur is a hero for our times, looking back on his golden young years, past loves, regrets, career and friends. But bravely moving forward, with or without his luggage.
This impression didn’t last however. Andrew Sean Greer describes how Less grasps an opportunity to travel round the world for little cost promoting other writers, appearing at second rate seminars etc; & at this point the prose accelerates to become not merely playful, but hectic, feverish, stuffed full of metaphor, minutiae & simile, & words, words, words. For example he describes the offerings of an exotic market stall in meticulous but colourful detail.
It’s all very clever but is totally indigestible. It’s exactly as if Greer has had a thesaurus at hand & tried to include every word in the book. And as if he’s travelled the world, or consulted travel books, taking note of every detail of exotica. I hardly exaggerate.
Meanwhile, Less gets lost in amongst all this verbiage.
I have to confess I can’t speak for the entire book, as I only managed to struggle through to the 20% point, then had to give up.
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